Despite the controversies surrounding Joker (2019) upon release, I found many things to admire about the film. Whether it was the ambitious storytelling, the refreshing take on an iconic DC character, or the homage it paid to Martin Scorsese’s classics like Taxi Driver (1976) and The King Of Comedy (1982), there was a lot to appreciate.
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Despite the controversies surrounding Joker (2019) upon release, I found many things to admire about the film. Whether it was the ambitious storytelling, the refreshing take on an iconic DC character, or the homage it paid to Martin Scorsese’s classics like Taxi Driver (1976) and The King Of Comedy (1982), there was a lot to appreciate. However, when I heard they were making a sequel to what was supposed to be a standalone film, I had a bad feeling. Now that I’ve seen Joker: Folie À Deux, I can’t say my opinion has changed.
The original Joker ended on a satisfying note, with no need to connect it to any future Batman films, and it worked perfectly as a one-off. But when the movie grossed over US$1 billion (33 billion baht) worldwide and won multiple Academy Awards, Warner Bros was naturally eager for a follow-up. The problem, however, seems to be that once the studio…